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critical journal
Barham
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at
Thursday, November 10, 2011
Barham © Shaun Madden 2011
Ricoh GR1s & Fuji Superia 400
Lecture Notes
Posted by
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at
Wednesday, November 09, 2011
Colour Photography
Eggleston
Szarkowski had seen work previously but did not think the public was ready
Stephen Shore - personal statement - early colour photos
Helen Levitt
Mitch Epstein
Light gallery in NY in early 70s
Joel Sternfeld
Shore did 'Tall in Texas' as postcards - saturated
Levitt - gritty urbaness - elements of colour highlights debris in the streets
Meyerowitz - snapshot aesthetic
What they were interested in - personal statement
Sonneman
Slavin - used colour to differentiate personalities
Commercial aesthetic? Photographed individual groups
Krims - conceptual, polaroid transfers
They all informed how we see colour today
Groover
Divola - colour spectrum, getting it real
Sternfeld uses more narrative - shots appear set up
Jeff Wall
The word 'colour' was dropped in 1984
Nan Goldin - Ballad - in 1986 the word 'photography' was dropped
Iain Sinclair: At large in a 'fictional' Hackney
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Monday, November 07, 2011
Andrew Neil: Rise of the British Underclass - The Great British Class Su...
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Monday, November 07, 2011
Lawrence M. Mead: Beyond Entitlement
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Monday, November 07, 2011
Charles Murray: The Underclass Revisisted
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Monday, November 07, 2011
Charles Murray: The Emerging British Underclass
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Monday, November 07, 2011
Imogen
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Thursday, November 03, 2011
Lecture Notes
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Unknown
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Tuesday, November 01, 2011
Vision 11 - Daniel Meadows
Next Week - Nothing!
Two Weeks - Group Crits - talk about your work
Three Weeks - Laura Pannack 3pm
Trip 24th Nov - Tate
Trip 30th Nov - East End
Photography & Anthropology - Lecture by Miranda Hutton
Representations of the Other
The 'Other' = people outside of our culture
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