Showing posts with label Photography in Context. Show all posts
Showing posts with label Photography in Context. Show all posts
Doing a Photo Critique
Posted by
Unknown
at
Thursday, December 17, 2009
An interesting and brief article on photo critique
and another
one more
and finally a rather more detailed and informative guide.
However here are the ten most annoying critiques!
and another
one more
and finally a rather more detailed and informative guide.
However here are the ten most annoying critiques!
Harinezumi Camera
Posted by
Unknown
at
Friday, December 11, 2009
Digital Harinezumi: Lo-fi coolness! USA Video Blog from Some Like It Shot on Vimeo.
"Creating warm, dreamy and surprising videos, the tiny Harinezumi camera by Superheadz was inspired by the Super 8mm silent film of the '60s and can take two hours of footage (without sound), whilst being compact enough to carry with you just about anywhere. Don't feel like filming? The Harinezumi also takes colour-saturated, dreamy still photos." - Urban Outfitters
Hard to find in the UK at the moment and expensive to ship from the US but this camera is what I am looking at for the Dreamland Visual Research project and could also be used in Photography in Context for the next project.
Tutorials
Posted by
Unknown
at
Thursday, December 10, 2009
Small group discussions
- Settling in okay despite missing first project "Making Strange"
- Enjoyed practical Polaroid sessions
- Like large group critique sessions but don't like viewing images on projection screen
- Learning to critique other peoples photographs
- Okay to keep "Critical Journal" by blog as long as archives available
Photography in Context
Posted by
Unknown
at
Thursday, December 03, 2009
- Photography Exhibition 9th December 6:30pm
- Next week sessions is small group tutorials (3:40pm)
- 2 of 3 images, interim sign-off
- Mixed media/mixing mediums
- Develop a criteria in own mind
- allocate a weekly budget to printing, we should all be printing
Photography Within the Context of Other Arts
Posted by
Unknown
at
Thursday, November 19, 2009
- Informed by and informing of other arts
- Interchange occurring between painting & photography
- Degas: After the Bath (1896) Photograph & painting
- Uncomfortable beginning
- 1837, mimicking of paintings what is already there, poses, ideas (specifity missing)
- Degas - part of methodology is a photo to help painting
- Early C19, painter did portraits
- After early C19, middle class could afford photographs
- Mimetic way, more lifelike
- Degas, impressionist and not middle of the road
- Too radical to be art. Codes and conventions
- Oil was mixed as needed and difficult to use out of studio
- Photography allowed capture of fleeting moment
- using a photo could help see unusual poses etc
- Preparation for painting
- Caillebotte: Paris Street, Rainy Day (1877)
- Aaron Siskind: Chicago (1948)
- Abstract expressionism, texture and form
- Jackson Pollock huge canvasses
- Gerhard Richter, paintings that look photographic
- Joel Peter Witkin: dead body
- Raft of the Medusa: metaphor for George W Bush
- Gregory Scott: paintings in his photos
- Michael Fajan: Zero Sum Game
- Environment that is predominently mixed-media
- Chance to experiment is now as an Undergraduate
Polaroid Workshop
Posted by
Unknown
at
Thursday, November 12, 2009
- What's the big deal?
- Montage & Panoramic Image
- Image-making as opposed to image-taking
- We have taken the fastest process of image-taking and gone through really slow process
- Unique transformation of one image into another image
- Polaroid in a mixed media form - Stephanie Schneider
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