Showing posts with label IPS. Show all posts
Showing posts with label IPS. Show all posts

Doing a Photo Critique

An interesting and brief article on photo critique

and another

one more

and finally a rather more detailed and informative guide.

However here are the ten most annoying critiques!

Los Angeles County Sheriff stopping a photographer in the subway

Introduction to Photographic Studies

  • Variety of different styles of portrait
  • Not just portrait format
  • Portrait/Landscape/Square
  • Depth is more important than breadth - Essay

Photographer: Lee Miller

Document written about Lee Miller's Buchenwald photograph.

Photography & Ethics

  • Self-reflective
  • Own ethical code (which might change)
  • Boris Mikhailov - Ukraine series (1998) Pays venerable people to pose in certain ways, decline of body and mind
  • Germaine Greer quote on Diane Arbus
  • Arnold Newman - Alfred Krupp (1963), subjective and how Newman wanted Krupp portrayed
  • As a developing practitioner I need to decide what to do
  • Is there a universal code or are they subjective
  • Can i look in the mirror?
  • What might the consequences be?
  • No such thing as a simple checklist, honesty in gradation of photography
  • Bert Stern - Marilyn Cross (1962), some images were crossed through with lipstick by Monroe but used after her death
  • Paparazzi - hounding Ami Winehouse
  • Mike Urban - Crowd Picture, handed to police
  • Russell Sorgi - Buffalo suicide (1942)
  • James Nachtwey - 9/11
  • What you are prepared to photograph might be different from what you are prepared to print

Photography & Conflict

  • Conflict is a broader term than war (Berger - agony)
  • Handout - John Berger
  • Image by Don McCullin - Black & White - Black Blood
  • Not truthful because its B&W
  • "I only use the camera like I use a toothbrush, it does the job" (Cited in Wells L, 2003:289)
  • When was technology available to record agony?
  • Susan Sontag - Regarding the pain of others
  • Photography shows what war does - mutilation and ruin
  • American/Mexican War, newspapers - "show me don't tell me"
  • Early conflict photography was "staged" because camera speed too slow
  • Daguerreotype - "General Wool & Staff" was long exposure
  • We don't see active warfare, we see staging or we see the aftermath
  • Roger Fenton: "The Valley of the Shadow of Death" (1855)
  • Photographers often have famous artists in their heads when they stage images
  • Fenton's work reported back an oppositional image (imotive) and not the "official" image
  • Canonball offers a terrible suggestion but does not show the war itself
  • James Robertson was far more explicit (1856)
  • Alexander Gardner, strewn dead bodies (1863) - horror and reality, political point, making a point that previous photography was putting a veil over the truth
  • William Rider: Passchendaele (1917) first major conflict where newspapers could reproduce images easily at relatively good quality. 
  • No longer Kings Shilling, no longer elitist
  • Images start to be censored by government
  • Press works with government (self-censorship)
  • Press do not want censorship so they show what they can
  • Could not show dead soldiers in Britain
  • Public didn't really see the soldiers experience of war
  • Technology still not great
  • Battles were in trenches so photography very difficult
  • Night photography almost impossible
  • Ernst Friedrich "War Against War" (1928) Compilation of images by other photographers
  • Sontag - shock therapy, drawn from German archives
  • The face of war, facial injuries. Book banned ten years later
  • "The Fallen" by unknown photographer/soldier
  • We start to see that those taking part in the war are taking the photographs
  • Robert Capa: D-Day Landing (1944) Taking images of the battle itself
  • Henri Cartier-Bresson - POW - Leica
  • Eugene Smith - WWII
  • Lee Miller: Buchenwald (1945) Conflict shown through subtle images and not metaphor
  • Lee Miller gives official version
  • Sontag - non polished images are welcomed - "I've got to show them"
  • Larry Burrows: Vietnam (1966) No heroes, complex and contradictory
  • Burrows lost Capa's photos in lab
  • Images are now placed on the internet, leaked images, we all feel complicit
  • Don McCullin now takes landscapes - Antithesis
  • Inherrent contradiction
  • What is the photographers aim? Strike concern in the viewer
  • Aim was to politicise us into action
  • Berger - photography of war doesn't affect human behavoir
  • Tyler Hicks - triptych made front page of New York Times
  • Sontag - What are we not seeing if we are seeing this?