Photography in Film: Rear Window
- Tutorials?
- How is the photographer represented?
- Photographer as hero - Mad Dog & Glory
- Recommended films:
- The Bridges of Madison County (1995)
- The Picture Snatcher (1933)
- The Eyes of Laura Man (1978)
- The Public Eye (1992)
- Peeping Tom (1960)
- High Art (1998)
- Fur (2006)
- Rear Window (1954)
- Hitchcock - Iconic Figure
- Voyeurism
- Rear Window - Spatially Remote
- Edward Hopper - Twentieth Century Painter - Painted the City
- Anemphathetic sound - music that is indifferent to on–screen action
- Campany quote - 'involved but apart'
- Scopophilia - see Mulvey Essay - 'Visual Pleasure & Narrative Pleasure'
- Klute (1971)
- Body Double (1984)
- One Hour Photo (2002)
- Disturbia (2007)
- Screening - 'The Making of Rear Window'
- Screening next week of Rear Window
- Jazz Music soundtrack
Documenting the Real: Street Photography I
- Street Photographers - Hunters...
- 25th March - 'The Creative Plus' - strategies to succeed
- Gallery/Sidney Cooper/Free-Range
- Assignment II - talk by reading week
- Book - Street Photography Now
- Chris Weeks - Photography for Purists
- Riflemans Gallery - Darkroom Photograph Series
- Early Street Photography - Slow shutter speeds - few people
- Stare - Walker Evans
- "It's the way to educate your eyes. Stare. Pry, listen eavesdrop. Die knowing something. You are not here long".
- "Butterflies" - HCB
- Robert Frank - Drugstore
- Harry Callahan - Chicago
- Roy DeCarava - Graduation
- William Klein - Swing + Boy + Girl
- Weegee - Their First Murder
- Roger Mayne
- Look at the work of Gilden & Meyerowitz
- Garry Winogrand - American Legion Convention
- Diane Arbus
- Ralph Meatyard
- Helen Levitt
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