Rembrandt Lighting




Rembrandt Portrait Lighting – Rembrandt lighting is a name given to the lighting effect that the old master used to use for the lighting effects in many of his paintings.  It’s basically short lighting where the shadow from the nose connects with the shadow on the side of the face, thus creating a triangle of light on the short side of the face.  If the nose shadow does not connect with the cheek shadow, it’s not considered to be Rembrandt lighting, just short lighting.

Photographer: Arnold Newman

Environmental Portraits

Environmental Portraits

Photographer: Trey Ratcliff

When Will This HDR Fad End?


Personally I love the look of HDR images, the photographs look more like paintings than photographs, however there are times when they are not suitable, but that's for another time. I would argue that they are no different to loading say Velvia 50 into your camera and getting a different look to the average consumer colour film. Finally what could be more abstract than Black & White which is universally accepted in the world of photography?

Photographers rights: When, where and what can I shoot?


This is an interesting article on what the rules are on what you can and can't photograph. With some links to case studies and videos and model release documents.

Photographer: Henri Cartier-Bresson




Sometimes looking for something original to photograph prevents us from photographing altogether. The following is a excerpt from the book, "The Mind's Eye" by HCB (1976)...


"...as far as I am concerned, taking photographs is a means of understanding which can not be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one's originality. It is a way of life".



Photographer & Author: Chris Orwig

Photography in Film - Lecture: La Jetée

  • My notes: transitions vary in length, dissolve and quick cuts, fade to black, pan around the photo, strong commentary, diagetic sounds, non-diagetic sounds, real voices in German? Backing music, heartbeat. Ancient animals - dinosaurs?! Many different angles of the same thing
  • What is owed to photography and what is owed to cinema and what crosses over
  • Photography - still images (pan, rostrum), duration & time, sound
  • Cinema - strong narrative, soundtrack, eyes moving - illusion of present time
  • Chris Marker (1962)
  • author, movie maker, journalist, animator (documentary film maker)
  • French resistance (formative experience to attitude to world) 
  • Informed by torture at Auschwitz (plus Algeria)
  • Politically motivated
  • Time/memory
  • Low profile - rarely interviews
  • Weaves his thoughts into films
  • Cultural history - what forms us
  • La Jetée - only entirely fictional film
  • Deals with fears of the future
  • New Wave - low budget films
  • Artform - pushing borders, experimenting or dead!
  • Left Bank Group
  • Saw New Wave as mainstream!
  • Alan Resnais/Agnes Varda/Chris Marker
  • Marker worked on Resnais' holocaust film 'Night & Fog'
  • Films to educate as well as entertain
  • Fictional & Documentary
  • Melancholic/Nostalgic - Hiroshima - Sans soleil
  • Giving voice over influences image
  • Stills enhance haunting film narrative
  • Photographs are an excellent way to time travel
  • Raymond Bellour
  • Substituted themselves for my memory