When Will This HDR Fad End?


Personally I love the look of HDR images, the photographs look more like paintings than photographs, however there are times when they are not suitable, but that's for another time. I would argue that they are no different to loading say Velvia 50 into your camera and getting a different look to the average consumer colour film. Finally what could be more abstract than Black & White which is universally accepted in the world of photography?

Photographers rights: When, where and what can I shoot?


This is an interesting article on what the rules are on what you can and can't photograph. With some links to case studies and videos and model release documents.

Photographer: Henri Cartier-Bresson




Sometimes looking for something original to photograph prevents us from photographing altogether. The following is a excerpt from the book, "The Mind's Eye" by HCB (1976)...


"...as far as I am concerned, taking photographs is a means of understanding which can not be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one's originality. It is a way of life".



Photographer & Author: Chris Orwig

Photography in Film - Lecture: La Jetée

  • My notes: transitions vary in length, dissolve and quick cuts, fade to black, pan around the photo, strong commentary, diagetic sounds, non-diagetic sounds, real voices in German? Backing music, heartbeat. Ancient animals - dinosaurs?! Many different angles of the same thing
  • What is owed to photography and what is owed to cinema and what crosses over
  • Photography - still images (pan, rostrum), duration & time, sound
  • Cinema - strong narrative, soundtrack, eyes moving - illusion of present time
  • Chris Marker (1962)
  • author, movie maker, journalist, animator (documentary film maker)
  • French resistance (formative experience to attitude to world) 
  • Informed by torture at Auschwitz (plus Algeria)
  • Politically motivated
  • Time/memory
  • Low profile - rarely interviews
  • Weaves his thoughts into films
  • Cultural history - what forms us
  • La Jetée - only entirely fictional film
  • Deals with fears of the future
  • New Wave - low budget films
  • Artform - pushing borders, experimenting or dead!
  • Left Bank Group
  • Saw New Wave as mainstream!
  • Alan Resnais/Agnes Varda/Chris Marker
  • Marker worked on Resnais' holocaust film 'Night & Fog'
  • Films to educate as well as entertain
  • Fictional & Documentary
  • Melancholic/Nostalgic - Hiroshima - Sans soleil
  • Giving voice over influences image
  • Stills enhance haunting film narrative
  • Photographs are an excellent way to time travel
  • Raymond Bellour
  • Substituted themselves for my memory

Documenting the Real - Workshop: Smoking on Campus

  • Cancelled

Photgrapher: Bruce Gilden


The Photographer Bruce Gilden.

Photographer: Jane Bown - "Henri Cartier-Bresson"


I am still exploring the work of photographer Jane Bown. This photograph is of another inspirational photographer, Henri Cartier-Bresson.

The following are quotes from the book "Unknown Bown".

"Some people take pictures. I find them"

"I love train stations and airports, places with lots of people where I can blend into the crowd and work unobserved"

"I was obsessed with textures and patterns—hair, cloth the grain of a piece of timber, the print of a fabric"

"I'm a one-shot photographer, I work quickly and hate fuss, always have done"

"I honestly think that all my best shots were taken on holiday"

"Sometimes I can see the picture immediately and then the first exposure is often the jackpot one"

"For that moment when I look through the lens, when absolutely everything is exactly right, love is the only way to describe what I feel"

"I can't really feel the excitement I felt when I looked down into that viewfinder, twisted the knob and everything came into focus"

"These pictures are the real me"