- Cancelled
Documenting the Real - Workshop: Smoking on Campus
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Friday, October 22, 2010
Photographer: Jane Bown - "Henri Cartier-Bresson"
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Thursday, October 21, 2010
I am still exploring the work of photographer Jane Bown. This photograph is of another inspirational photographer, Henri Cartier-Bresson.
The following are quotes from the book "Unknown Bown".
"Some people take pictures. I find them"
"I love train stations and airports, places with lots of people where I can blend into the crowd and work unobserved"
"I was obsessed with textures and patterns—hair, cloth the grain of a piece of timber, the print of a fabric"
"I'm a one-shot photographer, I work quickly and hate fuss, always have done"
"I honestly think that all my best shots were taken on holiday"
"Sometimes I can see the picture immediately and then the first exposure is often the jackpot one"
"For that moment when I look through the lens, when absolutely everything is exactly right, love is the only way to describe what I feel"
"I can't really feel the excitement I felt when I looked down into that viewfinder, twisted the knob and everything came into focus"
"These pictures are the real me"
ACPP - Photographer: Marcus Doyle
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Thursday, October 21, 2010
- Tutorials will be brought forward (ideas & research)
- Marcus Doyle
- Started photography at 12 and did GCSE
- Influences - Weston & Evans B&W
- B&W printing (funded his projects)
- 1996 switch to colour
- Meyerowitz, Misdak, Shore & Egglestone
- Large prints needed larger camera
- Looking for the unusual and quirky
- A picture should be about and not of something
- Never be put off by places that are over photographed
- One project has led into another
- The size of the work is important and so is the camera
- Sheer amount of work (90 min exposures!)
- Times of day (late or early)
- Production values, sharpness and exposure
- Visually appealing
Martin Parr - How to Take Stunning Photographs
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Tuesday, October 19, 2010
The final part of the series featured photographer Martin Parr. The series was more of a "how not to take crap photos" rather than take stunning photos but this last episode had a slightly different take. Firstly Parr asked them to take a 'series' of images rather than 'go and get a stunning image'. In the master class Parr taught the aspiring photographers the art of engaging their subjects. In his summary Parr stated "...by concentrating on one thing, coming in closer, exploring it better, making sure it's something you can identify with, that's when you can really reap the benefits of going to a place and trying to take away photographs that tell you something about your relationship to that place."
ADI - Image & Text I
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Tuesday, October 19, 2010
- Bill Owens & Taryn Simon
- Looking at established photographers
- Bill Owens lived in the suburbs. Wasn't voyeur (outsider looking in)
- After Suburbia book he took break for 20 years until digital photography
- Captions that accompany his photographs make social statement
- Some photos have no text - unusual to mix and match
- The captions are what he hears in suburbs while he photographs although not necessarily matched up
- Website is very user friendly (links all there)
- Taryn Simon - text states the facts
- Detailed website
- 90% research, phone calls etc
- Multiple truths - artists intent, viewer, context
- Invisible space between image and text
APDP - Darkroom Printing Contact Sheets
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Tuesday, October 19, 2010
- Enlargers
- Contrast
- Focus finder
Photographer: Bill Owens - "Suburbia"
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Tuesday, October 19, 2010
Bill Owens' photographs have accompanying text when presented in books. The text often makes a statement rather than state facts.
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