- Assignment 1 - Essay Memento or La Jetee
- 'Cinema Studies: The Key Concepts' by Susan Heywood
- 'Photography & Cinema' by David Campany
- 'The Cinematic - Documents of Contemporary Art' by Davis Campany
- 'Classic Essays on Photography' by Alan Trachtenberg
- Christopher Nolan - Director - Memento - Film Noir
- Memento - flashbacks are in B&W
- The current is played out in reverse
- 'Neo-Noir' - Nino Frank
- Neo-Noir - Chinatown, Taxi Driver, The Long Goodbye
- Anti-heroes - who do we trust?
- Can't trust anybody!
- Zooming into photographs (Blade Runner)
- Form of truth
- Sontag - Most of the photographs
- Objectivity - truth, unbiased, factual
- Subjectivity - personal feelings, beliefs & desires
- Godard Quote
- Polyscenic - multiple interpretations
- Polaroids from Memento - William Egglestone Style
- Sontag - Fragile Proof
- Essay Tips - Notions of Proof - Subjectivity - Memory & Identity
Photography in Film - Lecture: Memento
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Friday, October 01, 2010
Documenting the Real - Approaching Documentary
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Friday, October 01, 2010
- Conceptual & Intellectual step-up
- More confident
- Want to do - Compelled to do
- Don't ask lecturers - Convince them!
- Must work from a diary (work back from deadlines)
- Being organised allows 'time off' without feeling guilty
- Assignment 1 - Essay HCB
- Assignment 2 - 10 prints 'Open Brief'
- Naturalism, Realism & Truth
- The best essays are in fact 'Arguments'
- Genuine crossover of work but not a duplication (from one module to another)
- Critical Journals for every module (A5 is suitable)
- Depth of Research (NOT breadth)
- Be Creative (ie Walker Evans hidden camera)
- John Grierson Filmmaker 1920s and 1930s Documentary Films
- "The creative treatment of actuality"
- What do I bring to the shot? Different view point?
- Constructing a viewpoint
- Naturalistic - a surface reality
- Eastenders offers us a 'Naturalistic Aesthetic'
- Naturalism in style - representation - re-presentation
- Realism of attitude
- Truth? Ansel Adams WWII Photos of Nisei
ACPP - Advance Creative Photographic Practice
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Thursday, September 30, 2010
- Working towards independent study
- Online booking of studio and darkroom
- 'Marcus Doyle' - Landscape Photographer
- Photography is not just pretty pictures - body of work and a series of images
- Printspace
- Colour processing - Marcus Roberts
- spectrumphoto.co.uk
- Critical Journals
- Assignment 1 - Environmental Portraits
- idea/story is all important
- execution is taken for granted
- doesn't have to be ten portraits
- tell a story, groups, home (environment)
- model release (simplify)
ADI - The Year Ahead & Colour Management I
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Tuesday, September 28, 2010
- Colour Balance/Correction
- Web/Book/Images theme to our work (identity)
- Workflow from capture to final print
- How text is used
- Aperture/Booksmart/iWeb
- Dates 7th Dec Sign-Off Tutorial, 11th Jan Issue Assignment 3
- Editing Proficiency - image relate to each other
- RAW - Dynamic Range
- Color Temp, Flash 6000k, Florescent 4000k, Tungsten 3000k
- CTO/CTB - Color Temp Orange/Color Temp Blue
- Grey Card - Use on first image of a shoot
- sRGB/Adobe RGB (1998) to CMYK
- Mini assignment 8-10 images with different white balance settings
APDP - Introduction & Assigments
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Tuesday, September 28, 2010
- Assignment 1 Issued - Ansel Adams Essay
- Assignment 2 Issued - 6 Prints "The Games We Play"
- www.mirandahutton.com
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