Photography in Film: Rear Window
- Tutorials?
- How is the photographer represented?
- Photographer as hero - Mad Dog & Glory
- Recommended films:
- The Bridges of Madison County (1995)
- The Picture Snatcher (1933)
- The Eyes of Laura Man (1978)
- The Public Eye (1992)
- Peeping Tom (1960)
- High Art (1998)
- Fur (2006)
- Rear Window (1954)
- Hitchcock - Iconic Figure
- Voyeurism
- Rear Window - Spatially Remote
- Edward Hopper - Twentieth Century Painter - Painted the City
- Anemphathetic sound - music that is indifferent to on–screen action
- Campany quote - 'involved but apart'
- Scopophilia - see Mulvey Essay - 'Visual Pleasure & Narrative Pleasure'
- Klute (1971)
- Body Double (1984)
- One Hour Photo (2002)
- Disturbia (2007)
- Screening - 'The Making of Rear Window'
- Screening next week of Rear Window
- Jazz Music soundtrack
Documenting the Real: Street Photography I
- Street Photographers - Hunters...
- 25th March - 'The Creative Plus' - strategies to succeed
- Gallery/Sidney Cooper/Free-Range
- Assignment II - talk by reading week
- Book - Street Photography Now
- Chris Weeks - Photography for Purists
- Riflemans Gallery - Darkroom Photograph Series
- Early Street Photography - Slow shutter speeds - few people
- Stare - Walker Evans
- "It's the way to educate your eyes. Stare. Pry, listen eavesdrop. Die knowing something. You are not here long".
- "Butterflies" - HCB
- Robert Frank - Drugstore
- Harry Callahan - Chicago
- Roy DeCarava - Graduation
- William Klein - Swing + Boy + Girl
- Weegee - Their First Murder
- Roger Mayne
- Look at the work of Gilden & Meyerowitz
- Garry Winogrand - American Legion Convention
- Diane Arbus
- Ralph Meatyard
- Helen Levitt
ACPP: Street Photography
- Overview 2011
- Developing your photographic voice/defining own interests & passion
- Ask yourself:
- What are you interested in?
- What do you do?
- Street Photography & Road Trip
- Practical - make your own decisions
- Location shoots - Broadstairs
- Next week - Margate
- Week 3 - coach to London
- Talk from Miranda - anthropology
- After reading week - PrintSpace
- Second Assignment - Issued
- Work in any medium - analogue/digital/mixed
- Looking for consistency across ten pictures (visual/conceptual)
- Well edited
- Doing it because you want to do it
- Street Photography
- Heyday in 1960s & 1970s
- Not taken seriously in the art world
- Not just creative dead ends & juxtapositions
- Bruce Gilden
- Confident, comfortable, close (unique)
- Composition & Emotional content
- Format Photography Festival
- Viewer is a participant
- Seeing characters
- Walker Evans
- Passengers NY Subway
- Stare!
- Trent Parke
- Studied as a photojournalist
- Color
- Pushed boundary of the medium
- Reserved - from a distance
- Shoot a load of shit - Get a few good ones
- 40 rolls medium format per day
- Exposes for highlights - black can stay black
- Forever chasing light
- Knows spots where the light is even for just ten minutes
- Plan
- You never know when picture will come
- Street Photography is the most accessible
ADI: Planning the next few months
- Week 20 - Project Management
- Week 21 - Symposium on creating books - Bring two books
- Week 22 - Booksmart - Bring 20 RAW images
- Week 23 - Project Presentation - 10 mins - Print out designs web layout/book design
- Week 24 - Project Presentation & Tutorials
- Week 25 - Tutorials
- Week 26 - Reading Week
- Week 27 - Web/Digital retouching
- Week 28 - Guest Speaker - 'Wet Operator'
- Week 29 - Looking at all students websites
- Week 30 - ? (Was International Trip)
- 1st Proof of book/2nd Proof of book (month required
- Project Management - Plan backwards
- Evidence (Dates/Log/Gant Chart?)
APDP: Philosophy
- What makes a good photo?
- Recommended reading: Towards a Philosophy on Photography by Vilem Flusser
- Next week - Lith Printing
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